"Statuette of Anubis" (Met Museum website)
In this statue we see Anubis,
"Anubis was the god of embalming and the dead. Since jackals were often seen in cemeteries, the ancient Egyptians believed that Anubis watched over the dead. Anubis was the god who helped to embalm Osiris after he was killed by Seth." (ancientegypt.co.uk)
The medium used to create this statue was plaster and painted wood. It is over 17 inches tall and was made around 332 B.C. He is standing in the standard left foot forward pose, which some believe is a stance of power. This statue contains intricate detail on Anubis' clothes and his pedestal.
"The god of mummification Anubis is shown here as a human with a jackal
head and a long wig. He is wearing jewelry and a garment with an
elaborate feather pattern. Anubis is probably depicted greeting the
deceased in the afterlife and protecting him. The statuette is
exquisitely carved and painted (note the painted pleating of the kilt). On view at The Met Fifth Avenue in Gallery 133
The god of mummification Anubis is shown here as a human with a
jackal head and a long wig. He is wearing jewelry and a garment with an
elaborate feather pattern. Anubis is probably depicted greeting the
deceased in the afterlife and protecting him. The statuette is
exquisitely carved and painted (note the painted pleating of the kilt)." (metmuseum.org)
This statue of Anubis from Ancient Egypt hold some very different styles from the later Roman sculptures. Below we see a Bust of a woman from the Roman Empire, the two statues differ greatly in the emotion showed between them; Anubis stands tall and proud showing a sense of power whereas the bust of the woman shows softness, emotion and realness.
"Marble portrait bust of a woman" (Met Museum website)
In this statue of an unknown woman we see how the sculptor was able to recreate movement through creases and folds in her garment. The statue is made of marble, stands 26 inches high and was created around 193 A. D. This sculpture has many realistic tones, such as her facial expression, and gives us a sense of how a Roman women might actually have looked.
- " Said to be from the Greek islands. In the early third century A.D., some marble busts became so deep as to be almost half-statues and often included the arms, giving the image a lively appearance. This young woman has a hair arrangement made popular by Julia Domna, wife of the emperor Septimius Severus (r. A.D. 193–211) and mother of the emperor Caracalla (r. A.D. 211–217). Parted at the center, long locks framed the face, covering the ears and falling almost to the shoulders before looping back to form an enormous bun at the back of the head. (metmuseum.org)